To play music is to share one's spirit. 

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The Suzuki Method

Suzuki Talent Education or Suzuki Method combines a music teaching method with a philosophy, which embraces the total development of the child. Dr Suzuki's guiding principle was "Character first, ability second".

The essence of his philosophy may be found in the following quotes from his many writings:

"Musical ability is not an inborn talent but an ability which can be developed. Any child who is properly trained can develop musical ability just as all children develop the ability to speak their mother tongue. The potential of every child is unlimited".

"Teaching music is not my main purpose. I want to make good citizens, noble human beings. If a child hears fine music from the day of his birth, and learns to play it himself, he develops sensitivity, discipline and endurance. He gets beautiful heart."

"Where love is deep, much will be accomplished."

"My dream is for the happiness of all children. I feel respect and friendly feelings for everyone. In particular, I cannot help but feel respect and warm feelings for young children. And my heart brims over with a desire to help make all the children born upon the earth fine human beings, happy people, people of superior ability. My whole life energies are devoted to this end."

"Man is the son of his environment."

"I have no doubt that people are born with hereditary physiological differences, but I believe that a person's abilities grow and develop depending on the stimulation from outside."

"I firmly believe that any child can become superior, and my confidence has never been betrayed."

"An unlimited amount of ability can develop when parent and child are having fun together."

"Music is a language that goes beyond speech and letters - a living art that is almost mystical. This is where its emotional impact comes in. Bach, Mozart, Beethoven - without exception they live clearly and palpably in their music, and speak forcefully to us, purifying us, refining us, and awakening in us the highest joy and emotion."


 How does Suzuki work?

Dr Suzuki called his teaching method the Mother-Tongue Approach, inspired by the fact that children so effortlessly learn to speak their native tongue. Prompted and encouraged by the parents' love and the family environment, the child responds and develops this most difficult of skills, that of intelligible speech. 

When a child learns to speak, the following factors are at work:

Listening
Motivation
Repetition
Step-by-step mastery
Memory
Vocabulary
Parental Involvement
Love

In the Suzuki approach each of these principles is used in the learning of an instrument (piano, violin, viola, cello, double bass, flute, guitar, voice, harp and recorder). The mother-tongue approach has successfully been applied to other fields such as art, poetry and mathematics.

 Dr Suzuki closely follows the parallel with language learning and recommends that music should become an important part of the baby's environment from birth (or even before). When the infant's environment includes fine music as well as the sounds of the mother-tongue, it is understandable that the child will develop the ability to speak and to play a musical instrument (with technical guidance) before being required to read in either language. Formal lessons frequently begin as early as 3 years of age. .

Frequently Asked Questions

Is Suzuki just for preparing students for a career in music?

We aim, through the development of excellent musical skills, to develop character and sensitivity which will stand a person in good stead no matter what their ultimate path in life.

Do Suzuki students learn to read music?

Reading is taught, but only after basic playing skills, good posture and good tone have been mastered. This does mean in the beginning the child's playing ability is ahead of reading skills; eventually the reading ability develops to the same level. Exactly the same process is found in the language ability of primary school children, whose fluency in spoken language is normally considerably in advance of their reading and writing skills.

Is it musical to play in large groups?

While Suzuki students are often observed playing from memory in large groups in unison (possible because of the common repertoire), this does not indicate unmusical playing. After all, in orchestras, large groups of string players play in unison without their individual musicianship being called into question. In fact, Suzuki students, when heard singly, all have their own individuality of tone, their own understanding of the music, their own personal expression. Frequently, a remarkable maturity of musical expression is observed in quite young children.

Is it OK to start learning an instrument at such a young age?

Those who deal with pre-school children will know that 3 year-olds cannot be made to do something that they do not want to do. Suzuki teaching is ideally adapted to the needs of the young child, and is particularly concerned with motivation, understanding of child development and psychology, and with making learning fun, while at the same time aiming for excellence.

Portions from Suzuki music, learning with love.